Miguel Angel CHERUBITO (*1941) - Suite Popular Argentina (1989)
dedicated to Narciso Yepes
• Zamba [00:00]
• Milonga [04:45]
• Chacarera [09:11]
• Vidala [11:18]
• Tango [14:32]
• Malambo [20:43]
Miguel Angel Cherubito was born in Buenos Aires in 1941. He studied the guitar and composition. Between 1974 and 1989 he lived in Barcelona where he was active as concert guitarist, composer and conductor. He subsequently returned to Argentina where he became the director of a music school. He has written music for guitar as well as orchestral music. His herculean Suite Popular Argentina (1989) was written for Narciso Yepes, who gave the première in Tokyo.
Yepes said the following about this work and its composer: “Cherubito has the gift of…refinement and creative vein of a man who has much to say to us through music and especially the guitar. His Suite Popular Argentina is an example of this. I play this work in all my recitals, being one of the most applauded of my vast repertoire.” (1992)
Cherubito has written the following about the folkloric movements of his suite:
The Zamba is a pair dance with a slow tempo and courtly, galant character. It is danced in all Argentinean provinces. Its origins may be traced back to a Spanish dance known as the Zambacueca, from which two different dances developed: the Argentinean Zamba and the Chilean Cueca. The Zamba can also be sung.
The Milonga also comes originally from Spain and can be danced as well as sung. It resembles the Habanera but is faster-moving. There are two kinds of Milonga: the country version, which is sung and in which the interpreter improvises; and the town version, from Buenos Aires, which may be sung and danced. This is faster than the country version and may contain various themes: melancholy, romantic or amusing. The Milonga from my suite has a dramatic character and belongs to the country type.
The Chacarera is sung and danced in the northern provinces of Argentina. There are three forms: the simple, the double and the long Chacarera. The most important composers of the dance come from Santiago del Estero. The Chacarera in my suite belongs to the simple form. In keeping with tradition, the guitar plays two parts: in thirds or in sixths.
The Vidala comes from Bolivia and the north of Argentina, and has its roots in [First Nations] culture. It is not a dance, but a musical form – sung or purely instrumental – whose melodies are reminiscent of the plateaus and mountains of the Andes.
The Argentinean Tango may also be sung. It came into being at the end of the nineteenth century in Rio de la Plata, and combines elements of African dance and European music. As a town dance, the Tango is now associated mainly with the area of Buenos Aires.
The Malambo, though to be found throughout Argentina, is cultivated mainly in the Andes and Central Pampas. It has a very dynamic character and continuous rhythm from beginning to end. It is danced principally by men – alone or in groups -, and the movements are limited to the feet. The origins of this dance are not known exactly, but I believe that it comes from Spain, where this footstamping represents an important feature of dance.
The sheet music is available to purchase from the Schott Shop:
It should be mentioned, however, that the composer revised the work in 2014. Changes (most extensively to the Chacarera and repeats) are not reflected in the Schott edition.